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<\/figure>\n\n\n\nPRESS RELEASE:<\/strong> <\/p>\n\n\n\n BEYOND THE STREETS<\/strong>\u00a0is proud to present\u00a0SHEPARD FAIREY: OUT OF PRINT<\/strong><\/em>, a landmark exhibition devoted to the artist\u2019s lifelong dialogue with printmaking. Bringing together more than 400 original screen prints alongside new and re\u2011mixed works that combine screen printing and stenciling, the exhibition surveys Fairey\u2019s enduring commitment to the image, the multiple, and the power of mass communication. Opening Reception Gallery & Retail Hours Location SHEPARD FAIREY<\/strong> Shepard Fairey was born in Charleston, South Carolina. Fairey became passionate about art an early age and went on to receive his Bachelor of Fine Arts in Illustration at the Rhode Island School of Design in Providence, Rhode Island. In 1989 he created the “Andre the Giant has a Posse” sticker that transformed into the OBEY GIANT art campaign, with imagery that has changed how people see art and the urban landscape. Approaching a 35-year career span, his work has evolved into an acclaimed body of art, including the 2008 “Hope” portrait of Barack Obama, found at the Smithsonian’s National Portrait Gallery. In 2017, he collaborated with photographers to create the “We the People” series, which was recognizable globally during the Women’s Marches. A curated body of work titled \u201cFacing the Giant: Three Decades of Dissent\u201d celebrating his career has been on tour since 2019 and reached London, Paris, Vancouver, Los Angeles, New York, and is currently circulating in various cities in the United States. About BEYOND THE STREETS<\/strong>
\u201cI\u2019m a product of the era of mass production, and the mass culture printing has created. I can\u2019t imagine my art practice without the influence of, and the use of, printing,\u201d\u00a0<\/em>says Shepard Fairey.\u00a0\u201cSome of my biggest art influences were not paintings but printed things like posters, album covers, skateboard graphics, punk flyers, and t\u2011shirt designs. Printing is a cornerstone of my art practice and philosophy. The printing press began the democratization of art, and I have used printed posters to spread my artwork and messages in public spaces as well as keep my art affordable by printing multiples.\u201d<\/em>
Spanning early underground interventions to celebrated cultural icons, OUT OF PRINT charts Fairey\u2019s evolution across three and a half decades: from guerrilla placements and hand\u2011pulled posters to studio editions whose graphic precision and political urgency have entered the global visual lexicon. The presentation highlights the artist\u2019s fluency in the language of advertising and propaganda, recoding those strategies to \u201carrest visually and provoke intellectually,\u201d and underscores how the reproducible image circulated on walls, in windows, and through wardrobes functions as both civic dialogue and cultural memory.<\/p>\n\n\n\n![\"\"](\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2025\/10\/Shepard-Fairey-Che-1997-Screenprint-on-Paper-24-x-18-61-x-45.7-cm-614x807.jpg\")
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Alongside historic and rare editions, the exhibition debuts a focused group of hybrid works in which layered stencils, paper, and ink collide\u2014expanding Fairey\u2019s print vocabulary while remaining rooted in the immediacy of the street. Archival materials, process ephemera, and contextual graphics round out the presentation, offering a behind\u2011the\u2011scenes look at the artist\u2019s methods and influences posters, album art, skateboard graphics, and punk flyers among them.
\u201cOUT OF PRINT brings together the spirit of the street and the discipline of the studio,\u201d notes Director Dante Parel. \u201cIt\u2019s an opportunity to experience the breadth of Shepard\u2019s print practice in one sweep from the subcultural pulse that shaped him to the images that, in turn, helped shape public imagination.\u201d
\u201cSome people say digital media has ended print, but the provocative, tactile experience of a print on a wall or in the wild\u2014can\u2019t be replaced\u201d says Shepard Fairey, \u201cPrinting still matters!\u201d\u2e3b<\/p>\n\n\n\n
Saturday, November 15, 2025, 7\u201310 PM
Exhibition on view through January 11, 2026<\/p>\n\n\n\n
Wednesday \u2013 Sunday: 11 AM \u2013 6 PM
Monday – Tuesday: Closed<\/p>\n\n\n\n
BEYOND THE STREETS
434 N La Brea Ave.
Los Angeles, CA 90036<\/p>\n\n\n\n![\"\"](\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2025\/10\/42d75dab-eeb3-515b-c204-e3e4811b6b6e-575x1024.png\")
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B. 1970, Charleston, SC<\/p>\n\n\n\n
Fairey’s stickers, guerilla street art presence, and public murals are recognizable globally. He was the subject of the feature-length Hulu documentary \u201cObey Giant: The Art and Dissent of Shepard Fairey,\u201d released in 2017. His works are in the permanent collections of the Boston Institute of Contemporary Art, Museum of Modern Art (MoMA), the Museum of Contemporary Art (MOCA) in Los Angeles, the Museum of Fine Arts Boston, the San Francisco Museum of Modern Art, the Smithsonian’s National Portrait Gallery, the Victoria and Albert Museum, and many others. He sits on the board of Brave New Films, People for the American Way, and the Rhode Island School of Design. His art and career have been the focus of several published books including the \u201cOBEY: Supply and Demand\u201d and \u201cCovert\/Overt: The Under\/Overground Art of Shepard Fairey\u201d both published by Rizzoli.
Shepard Fairey has painted more than 140 large-scale murals across six continents worldwide.
For more information, visit www.OBEYGIANT.com<\/a>.<\/p>\n\n\n\n![\"\"](\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2025\/10\/Shepard-Fairey-Fist-2000-Screenprint-on-Paper-24-x-18-61-x-45.7-cm--614x803.jpg\")
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BEYOND THE STREETS was founded by Roger Gastman, producer of the 2010 Academy Award-nominated film, Exit Through the Gift Shop, co-curator of Art in the Streets (2011) at the MoCA in Los Angeles, and director of the SHOWTIME documentary Rolling Like Thunder (2021), a plunge into the underground world of freight train graffiti culture. BEYOND THE STREETS is an art-driven cultural and educational worldwide movement celebrating mark makers and rule breakers, agitators and instigators. Its curation showcases the best of contemporary and emerging artists, with a focus on graffiti and street art creators. Boasting over 100 artist collaborators per show, BEYOND THE STREETS is known for its massive-scale exhibitions, immersive educational experiences, and engaging pop-up events, which have played host to over 650,000 unique visitors between its shows in Los Angeles, New York, The Hamptons, London, Shanghai, and digital showcases with NTWRK. BEYOND THE STREETS exhibitions have produced over 2.5B media impressions through global art publications, business journals and culture magazines. BEYOND THE STREETS is widely recognized for its innovative brand partnerships and premium publications, which include over 75 published and authored book titles, including works for the likes of Martha Cooper, Felipe Pantone, POSE, Paul Insect, and Mister CARTOON, amongst others. BEYOND THE STREETS pushes the very idea of art beyond any preconceived boundary.<\/p>\n\n\n\n
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