{"id":71548,"date":"2019-04-15T09:00:58","date_gmt":"2019-04-15T16:00:58","guid":{"rendered":"https:\/\/juicemagazine.com\/home\/?p=71548"},"modified":"2019-04-16T12:15:46","modified_gmt":"2019-04-16T19:15:46","slug":"album-review-the-jackets-queen-of-the-pill%ef%bb%bf","status":"publish","type":"post","link":"https:\/\/juicemagazine.com\/home\/album-review-the-jackets-queen-of-the-pill%ef%bb%bf\/","title":{"rendered":"Album Review: The Jackets &#8211; Queen of the Pill\ufeff"},"content":{"rendered":"\n<p>Ever since Tim Warren slapped the Crypt Records logo on the first <em>Back From The Grave<\/em> compilation in 1983, there has been no stopping the trajectory of a subgenre\u2019s influence and the stranglehold it has placed on cultures aboard. It\u2019s been 36 years since that record went into press and the garage punk phenomenon has only blown up from obscure, amateurish lo-fi recordings to a full-blown cultural movement around the world that has resurrected interest in those old groups and birthed generations and waves of groups today. <\/p>\n\n\n\n<p>Making headways due to these early efforts is a Swiss garage rock group called The Jackets who achieved a breakthrough with their wild and fuzz-laden third LP, <em>Shadows of Sound<\/em>, released in 2015 on Voodoo Rhythm Records. The album harnesses a hypnotic sensibility in part to its artwork\u2019s graphical layout, and singer\/guitarists, Jackie Brutsche\u2019s fuzz overdriven riffs sounding like a contemporary take on a mid-60s obscure British Invasion group meets the Detroit proto-punk revival. If they\u2019re going the nostalgia route, they should keep it up as they\u2019re not stripping it of its merit and reintroducing an older sound infused with all aspects of punk rock to a new, lowbrow, more tech-savvy generation. <em>Shadows of Sound<\/em> proves you can do that and their return to Voodoo Rhythm with their new LP, <em>Queen of the Pill<\/em>, builds on this triumph.<\/p>\n\n\n\n<p>They brought on some names with this release and hinted in 2017 at one of them with the mention of expat garage rocker King Khan\u2019s involvement with the making of <em>Queen of the Pill<\/em>, only released as a two-track 7\u201d EP at the time. The production is lo-fi and stripped on that one, they another heavy hitter like Jim Diamond, a man whose recorded practically every band in Detroit\u2019s 1990s garage rock scene, to the end game of the production helm after having Nene Barrato (Movie Star Junkies) make the first pass in the initial recording sessions in Berlin.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img fetchpriority=\"high\" decoding=\"async\" width=\"614\" height=\"852\" src=\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-614x852.jpg\" alt=\"\" class=\"wp-image-71549\" srcset=\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-614x852.jpg 614w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-scaled-600x832.jpg 600w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-216x300.jpg 216w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-768x1065.jpg 768w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/AlbumCover-scaled.jpg 1846w\" sizes=\"(max-width: 614px) 100vw, 614px\" \/><\/figure>\n\n\n\n<p>Not delving from the underlying hypnotic element that was present in <em>Shadows of Sound<\/em>, <em>Queen of the Pill<\/em>\u2019s lead-off track \u201cDreamer\u201d opens with Brutsche\u2019s familiar slow build up riff before bassist Sam Schimidger layers it with dexterous bass lines and drummer Chris Rosales speeds up the pace on the battery end. Brutsche is the first person you\u2019ll notice when looking at photos of the three in action with her acrobatic stage performance while clad in black donning Alice Cooper eye-makeup. An artist, by all means, she contributes much to the songwriting of The Jackets when she\u2019s not leading a career as a multifaceted artist, musician, filmmaker, and playwright around Europe. <\/p>\n\n\n\n<p>This record also shows they\u2019re comfortable going away from just being an explosive garage punk band to experimenting with different playing styles and bending their genre a bit.&nbsp; \u201cFloating Alice,\u201d is one of the more exotic sounding tracks in this record, likely their catalog to say, as it utilizes different arrangements rooted in Eastern music along with their head on garage punk sound. Think of a more upbeat rendition of X\u2019s \u201cAdult Books, and you\u2019ll get the idea. The lyrics spin a heavy tale of intergalactic heartbreak as Brutsche narrates the perspective of a woman astronaut slowly drifting away from her lover while peering over earth: \u201cI\u2019ve got you in my mind for a while now\/Time will not bring back your smile\/The stars shine so bright as I\u2019m getting lost\/Slowly fading away, at any cost.\u201d<\/p>\n\n\n\n<p>Between abstract storytelling and personal experiences such as the \u201877 punk-influenced \u201cWhat About You\u201d is based upon the former relationship of one member, the songwriting and lyrical themes nod towards former flames and the band\u2019s growth and development throughout the years. Brutsche&#8217;s venomous tirade in \u201cLosers Lullaby\u201d is a template that anyone with a sad excuse of an ex-partner can certainly relate with a copy and paste a closure letter towards the offender: \u201cI lost your wallet &amp; your photograph\/I cashed your check, and I sold your stash\/You\u2019re a liar &amp; I\u2019m tired of you.\u201d The \u201cMove On\u201d riff harks the energy Wayne Kramer must have harnessed during that fateful day at Wayne State on July 19th 1970 with an agro swing of the hip shake and groove feel with lyrics construing a flip of the switch viewpoint from person severing a relationship.&nbsp; However, it\u2019s \u201cDeeper Way,\u201d a track drummer Rosales wrote about the growing pains these three have gone through over the years, that pulls all the punches with a strong bulldozer-like opening riff from Brutsche that shows her harder side along with dynamic support from Rosales and Schmidiger on the harmony ends.<\/p>\n\n\n\n<p>The fringe music will prevail, it\u2019s an outsider perspective that keeps things original and interesting, and always will. The Jackets are doing just that but stand out well amongst the crowd. Get down with them or move aside. <\/p>\n\n\n\n<p>\u2013 Review by Matthew Hutchison<\/p>\n\n\n\n<p>Online<\/p>\n\n\n\n<p><a href=\"http:\/\/thejackets.ch\/\">http:\/\/thejackets.ch\/<\/a><\/p>\n\n\n\n<figure class=\"wp-block-embed-facebook wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.facebook.com\/thejackets\/\n<\/div><figcaption><a href=\"https:\/\/www.facebook.com\/thejackets\/\">https:\/\/www.facebook.com\/thejackets\/<\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"614\" height=\"409\" src=\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017-614x409.jpg\" alt=\"\" class=\"wp-image-71550\" srcset=\"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017-614x409.jpg 614w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017-600x399.jpg 600w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017-300x200.jpg 300w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017-768x511.jpg 768w, https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017.jpg 960w\" sizes=\"(max-width: 614px) 100vw, 614px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ever since Tim Warren slapped the Crypt Records logo on the first Back From The Grave compilation in 1983, there has been no stopping the trajectory of a subgenre\u2019s influence and the stranglehold it has placed on cultures aboard. It\u2019s been 36 years since that record went into press and the garage punk phenomenon has [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":71550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4034],"tags":[],"class_list":["post-71548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-2"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2019\/04\/TheJackets_ZigCriscuolo_2017.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/71548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/comments?post=71548"}],"version-history":[{"count":5,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/71548\/revisions"}],"predecessor-version":[{"id":71657,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/71548\/revisions\/71657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/media\/71550"}],"wp:attachment":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/media?parent=71548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/categories?post=71548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/tags?post=71548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}