{"id":17972,"date":"2011-08-10T10:00:54","date_gmt":"2011-08-10T10:00:54","guid":{"rendered":"https:\/\/juicemagazine.com\/home\/?p=17972"},"modified":"2023-04-24T18:20:46","modified_gmt":"2023-04-25T01:20:46","slug":"juice-magazine-sk8tracks-volume-2","status":"publish","type":"post","link":"https:\/\/juicemagazine.com\/home\/juice-magazine-sk8tracks-volume-2\/","title":{"rendered":"JUICE MAGAZINE SK8TRACKS VOLUME 2"},"content":{"rendered":"

THE DEAD MILKMEN<\/strong>
\nThe Dead Milkmen is an American satirical punk rock band formed in 1983 in Philadelphia, Pennsylvania. They consisted of vocalist and keyboardist Rodney Linderman (“Rodney Anonymous”), guitarist and vocalist Joe Genaro (“Joe Jack Talcum”), bassist Dave Schulthise (“Dave Blood”) and drummer Dean Sabatino (“Dean Clean”).<\/p>\n

Beginning within the local underground hardcore scene of the early 1980s, the band established their jangly punk sound, which they coupled with prominent humor delivered in heavy Philadelphia accents. After garnering an underground following through extensive touring and college radio attention, they enjoyed international success on the strength of 1988’s “Punk Rock Girl”, a single from their Beelzebubba album which entered into MTV rotation.[2] Health problems and an ill-fated stint with the major label Hollywood Records in the wake of their success led to the group’s 1995 breakup. In total, they issued eight studio albums, one live record, and numerous peripheral releases before disbanding.<\/p>\n

In 2008, the group reunited and began working on new material, with new bassist Dan Stevens replacing the deceased Schulthise. They released The King in Yellow in 2011, their first studio album in 16 years.<\/p>\n

THE GENERATORS<\/strong>
\nThe Generators have been at the forefront of the Los Angeles punk scene since 1997, and were recently mentioned by one of Americas leading news publications, the USA Today as one of Americas most under rated punk bands. While The Generators story was brought to life in the late 1990\u2019s, the true story of this band, and its members date back to the early 1980\u2019s when the LA hardcore punk movement had evolved into a true musical revolution.<\/p>\n

In September of 2011 The Generators will be releasing their 8th Full-length album \u201cLast Of The Pariahs\u201d, on DC-Jam Records (U.S, Canada, Japan) and I Hate People Records (Europe) with producer Rich Mouser (Weezer, Chris Cornell). The new album catches the bands signature southern California melodic punk n roll sound, while also bringing fans back to some of their earlier 1977 old school snarl. This new release will be followed up with an anticipated European and US Fall headlining tour.<\/p>\n

TSOL<\/strong>
\nFormed in 1979 and hailing from Long Beach, California, T.S.O.L. originated as a hardcore punk band, developing from earlier bands Johnny Coathanger and the Abortions and Vicious Circle. With fans that span three decades, T.S.O.L. has become a fixture on the Southern California music scene.<\/p>\n

“She’s Got a Bomb” is a track from the band’s 2009 album\u00a0 “Life, Liberty & the Pursuit of Free Downloads” (also referred to as The 30th Anniversary Album) which was produced by Grammy winning producer David Bianco at Hurley Studios<\/p>\n

PAINTED WILLIE<\/strong>
\nFormed in Los Angeles in 1984, Guitarist Vic Makauskas, bassist Phil Newman, and drummer Dave Markey shared the stage touring with brother bands Black Flag, The Meat Puppets, FIREHOSE & Saccharine Trust before finally calling it quits in 1987.<\/p>\n

The track “My Little Red Book” was originally released on SST Records in 1985 on the album “Mind Bowling” which was re-released\u00a0 on CD and digital download by DC-Jam Records in 2009.<\/p>\n

FLATFOOT 56<\/strong>
\nWeb:\u00a0 www.flatfoot56.com
\nFacebook:\u00a0 www.facebook.com\/flatfoot56
\nTwitter:\u00a0 www.twitter.com\/flatfoot56
\nBio: Since the year 2000, FLATFOOT 56 have steadily unleashed a rollicking barrage of Celtic punk and folk-tinged hardcore from the South Side of Chicago to an international audience with intense and positive party-like energy. Coinciding with their 10-year anniversary, Flatfoot launched the release of their third label-backed studio effort, Black Thorn, in 2010. Led by spirited front man Tobi n Bawinkel (Vocals\/Guitar), along with brothers Justin (Drums), and Kyle (Bass), and multi-instrumentalists Eric McMahon (Bagpipes\/Guitar) and Brandon Good (Mandolin\/Guitar), the band is fueled by a sense of camaraderie that directly translates to their die-hard fans and highly energetic live shows.<\/p>\n

THE EXPENDABLES<\/strong>
\nWebsite: \u00a0 http:\/\/www.theexpendables.net
\nFacebook: \u00a0 http:\/\/www.facebook.com\/theexpendables<\/p>\n

The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace. Since 1997, The Expendables have staked their claim in the California surf\/rock genre by headlining venues from coast to coast. Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years.<\/p>\n

The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases.\u00a0 No Time To Worry (2000), Open Container (2001), and Gettin\u2019 Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.<\/p>\n

While touring and supporting their album, Gettin\u2019 Filthy, The Expendables would share the stage with Slightly Stoopid and catch the attention of founders and front men Kyle McDonald and Miles Doughty.\u00a0 In 2007 Slightly Stoopid formed their own independent label, Stoopid Records, and signed The Expendables for the label\u2019s first non-Stoopid release, which was The Expendables self-titled.\u00a0 Released in September 2007, the album would be accepted as an instant classic by fans and received rave reviews from critics.<\/p>\n

The band continued supporting the album with hundreds of shows over the next two years, gaining fans around the world, and respect from the bands that influenced them.\u00a0 The band would share the stage with bands like Slightly Stoopid, NoFX, Less Than Jake, Pennywise and Pepper to name a few. At the end of 2009 and beginning of 2010 the band would work on their next album Prove It produced by Paul Leary (producer of Sublime, Slightly Stoopid, Pepper, Supersuckers, as well as the guitar player for Butthole Surfers) and El Hefe (guitar player for NoFX).<\/p>\n

Prove It was released May 11th 2010 debuting at #158 on the Billboard Top 200, #30 on Billboard\u2019s Independent charts, and #4 on Billboard\u2019s Heatseekers! The album also pushed to #15 on iTunes Top 200 and #5 on iTunes Alternative Charts, jumping The Expendables to a new level in their career.\u00a0 The band\u2019s new release would include guest performances by C-Money, OG, and Dela of Slightly Stoopid throughout the album.\u00a0 Jumping into the mix as well would be long time friend G. Love on the ballad \u201cWells\u201d.<\/p>\n

The Expendables have continued their tenacious touring schedule in 2011 with their popular annual Winter Blackout Tour.\u00a0 This summer, the band will be featured on all dates of the massive yearly festival favorite, Warped Tour.<\/p>\n

Thirteen years later, five albums down and countless miles covered, The Expendables show no signs of slowing down.<\/p>\n

PEZZ<\/strong>
\nFormer BYO Records standouts Pezz went on hiatus in 2001 to start families, be peace activists, go to school and travel the world. The band kept in touch and played every once in a while, but became a truly active band again in the fall of 2006.\u2028\u2028In 2008, Pezz released a split LP with friends While I Breathe I Hope, and also released a\u00a0 HYPERLINK “http:\/\/www.youtube.com\/watch?v=CAZazgECgss” video for the song \u201cI Liked Your Rough Draft Better,\u201d from the band’s fourth album. In June of 2010, Pezz released a new “The Wicked Leading the Blind,” to mark the 20th anniversary of the band’s first show. The new EP, released by Fat Sandwich Records, features two originals and a cover of “Watching You Sleep” by friends and former BYO label mates Leatherface. The band also produced a\u00a0 HYPERLINK “http:\/\/www.youtube.com\/watch?v=fdrBddNxaQU” video for the ep\u2019s title track.\u2028\u2028After years of nonstop touring with the likes of Hot Water Music, At the Drive-In, Leatherface, 7 Seconds, Samiam, the Bouncing Souls and the late Wesley Willis, Pezz now stays close to its hometown of Memphis for the most part. However, the band managed to go on a short tour with the Meat Puppets and play a few key festivals.\u2028\u2028Pezz became a three-guitar band in 2010 with founding members Marvin Stockwell and Ceylon Mooney both on guitar and vocals, Christian Walker on bass and vocals, Shawn Apple on guitar and Graham Burks on drums.\u2028\u2028Plans are in the works to release the five other songs recorded at the summer 2009 session that produced the new EP, and to continue to write and record new songs and play shows.<\/p>\n

OEDIPUS<\/strong>
\nLos Angeles based and bred, OEDIPUS is a modern rock trio who has been topping the Polish Modern Rock charts since April of 2010, currently topping the charts with their third hit single Jack & Ginger.<\/p>\n

Initially debuting their first single Tres Las in April 2010 on Poland\u2019s Modern Rock station Eska Rock, the song quickly started flooding their airwaves before the track was first released in the US, charting higher than such American pop\/rock contemporaries as Linkin Park, Keane, and Pearl Jam, finding the song ranked as the #2 most played song on the station in 2010, with their follow-up single Burn It Down coming in at #37.\u00a0 Currently the band\u2019s 3rd single Jack & Ginger, which was initially released in the States on their Sylvia Massy produced 2009 EP \u201cCovetous\u201d, hit #1 in February of 2011 and has holding strong ever since.<\/p>\n

In November of 2010 the band flew overseas for a one off Polish performance sponsored by Eska Rock for their annual Rocktoberfest Birthday bash, where the band spent 5 days doing press for their self-titled full-length Polish debut.\u00a0 The station even launched a Youtube fan generated submission contest where listeners were encouraged to record their own music videos of themselves lip synching to the song, generating thousands of submissions for a chance to win tickets to the private event.<\/p>\n

In the wake of this success, Tres Las was also added to Poland\u2019s first installment of the well known US mix CD NOW That\u2019s What I Call Music Vol. 1 keeping company with such US Pop icons as Katy Perry, Snoop Dogg, & Ke$ha.<\/p>\n

Here in the States, OEDIPUS has also started garnering attention from media and industry tastemakers, picking up regular spins for both Tres Las & Burn It Down on specialty radio programs across the country, including regular rotation on Los Angeles based tastemaker Indie 103.1, KROQ\u2019s Locals Only program, KUSF in San Francisco, and KMFA Tucson.<\/p>\n

In 2011, the band is set to premiere the release of their official music video for Tres Las in March, and will release a new full length record this coming June.<\/p>\n

SLIGHTLY STOOPID<\/strong>
\nWith more than a decade of making music together, the members of Slightly
\nStoopid have perfected one of the rarest and most valuable skills a band can develop:
\nthe art of the stealth groove, that knack for quietly, almost innocently, sliding into a
\ncomposition, and utterly lassoing anyone within earshot by mid-song.\u00a0 That’s where the
\nband has come to reside, musically: deep in the pocket, that ever-elusive, funky trench
\nwhere a band can entrance an audience, hypnotize it and hold on to it until the set or CD
\nis finished.\u00a0 Built on a bedrock of nasty, oceanic slabs of dubby bass, meditative vocal
\nharmonies, rock-steady guitar licks and tightly syncopated percussive rhythms, Slightly
\nStoopid illustrate a case study in underground success, steeped in years of hard touring,
\nan improvisational business model, and a creative process that continues to unwind and
\npush the envelope of a new jam-based genre the band helped to create.<\/p>\n

Slightly Stoopid’s dual front-men Miles Doughty (Guitar, Bass, Vocals) and Kyle
\nMcDonald (Guitar, Bass, Vocals), created their own label, Stoopid Records, in the
\nearly 2000\u2019s to avoid signing a record deal and keep their DIY work ethic and freedom
\naway from music industry politics. The west coast sound pioneers later added
\nmusicians Ryan \u2018RyMo\u2019 Moran (Drums) and Oguer ‘OG’ Ocon (Congas,
\nPercussion, Harp, Vocals) from the B Side Players, as well as C-Money (Trumpet,
\nKeyboard) and Dela (Saxophone) from John Browns Body; solidifying their on stage
\nline up. Slightly Stoopid has built a large n\u2019 loyal fan base, and has soared to one of the
\nmost successful independent artists of this decade.\u00a0 The buzz surrounding the group
\ncontinues to increase with each successive release; their album catalog sales have topped the 700,000 mark and the group continues to fill the most prestigious concert venues around the world, and continues to create a legion of “Stoopidheads” in the process!<\/p>\n

PLANET SMASHERS<\/strong>
\nInspired by volcanic eruptions and constant dinosaur attacks, \u201cDescent Into The Valley Of\u2026\u201d is 15 tracks of pure unadulterated party ska awesomeness served up hot with an extra large order of radical sauce on the side just for good measure. From the hilariously addictive tom-foolery of \u201cThe Hippopotamus\u201d to the darkly brooding \u201cDie Tomorrow\u201d to the punkrock insanity of \u201cFood Fight\u201d to the
\ntouching love song \u201cMy Obsession\u201d, this album delivers something for everyone while maintaining the Smashers\u2019 signature badassitude that has made them an international sensation for over 17 years\u2026Grab your club and put on your best wooly mammoth pelt, cuz this time they\u2019re making pre-history.<\/p>\n

THE TURBO ACS<\/strong>
\nFormed in the early 1990’s, The Turbo A.C.’s are a force of nature. Relentless touring and scores of full-lengths, 7 inches and comp appearances have cemented these New York anti-heros as a beloved
\nfixture in the dirty world of surf-guitar driven punk rock n’ roll. Desperate times call for desperate music, and the tracks on Kill Everyone create the soundtrack for a pre-apocalyptic civilization
\nheaded straight to Hell.<\/p>\n

\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

THE DEAD MILKMEN The Dead Milkmen is an American satirical punk rock band formed in 1983 in Philadelphia, Pennsylvania. They consisted of vocalist and keyboardist Rodney Linderman (“Rodney Anonymous”), guitarist and vocalist Joe Genaro (“Joe Jack Talcum”), bassist Dave Schulthise (“Dave Blood”) and drummer Dean Sabatino (“Dean Clean”). Beginning within the local underground hardcore scene […]<\/p>\n","protected":false},"author":1,"featured_media":17973,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6806,4034],"tags":[7179,7184,7183,7178,7181,2186,2252,2313,7182,2741,7185,3012,3018,3093,14388],"class_list":["post-17972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-downloads","category-music-2","tag-download","tag-flatfoot-56","tag-food-fight","tag-juice-magazine-music-download","tag-juice-magazine-sk8tracks-volume-2","tag-oedipus","tag-painted-willie","tag-pezz","tag-planet-smashers","tag-slightly-stoopid","tag-the-dead-milkmen","tag-the-expendables","tag-the-generators","tag-the-turbo-acs","tag-tsol"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/juicemagazine.com\/home\/wp-content\/uploads\/2012\/04\/Juice_sk8tracksvolume2art.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/17972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/comments?post=17972"}],"version-history":[{"count":11,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/17972\/revisions"}],"predecessor-version":[{"id":94482,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/posts\/17972\/revisions\/94482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/media\/17973"}],"wp:attachment":[{"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/media?parent=17972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/categories?post=17972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/juicemagazine.com\/home\/wp-json\/wp\/v2\/tags?post=17972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}